The Art of Happiness – Excerpts and Reflections 1

Hello Readers, It’s been quite a while since I’ve written on this space. As those of you who have read my posts know, this blog, which I started in 2014, has provided a venue for whatever has been most significant or meaningful in my life at a particular time. It began as a travel and food blog, morphed into a place to vulnerably expose my story writing, jumped to a promo site for my film, then briefly reverted to a recipe blog. The beauty of this is that it’s really a place to reflect and if anyone wants to jump in and read what I have to share – all the better.

My current status has led me do what I sometimes need to do when I feel like things are just not quite right. When I feel like my life is off kilter. Skewed. I study. I don’t do yoga. I don’t meditate. I don’t pray. I study. So, I went to the library with no particular book in mind. I roamed through the stacks, perusing book titles, then stopped abruptly when I came upon The Art of Happiness – A Handbook for Living, written by Howard C. Cutler from extensive interviews and time spent with His Holiness the Dalai Lama. I’ve always been fascinated with the notion of happiness and as a philosophy student/professor, I, of course, explored it privately and with my students over the years. Yet, I still never have come up with a satisfactory answer to what it means to be truly happy and how to get there. So, I thought, ok here’s the book I’m going to study first.

After reading the first several chapters and taking notes, it occurred to me that I would be helping myself and possibly others if I summarize some of the points that resonate with me. So, for the next entries over the course of however long it takes, I’ll tell you about the book. I think it’s very important to mention that the book is not promoting Buddhism, but one cannot help but see the Buddhist influence on these ideas. Don’t be afraid of this. No matter what your faith or lack of, you might find it interesting. My method will be to first give direct quotes and paraphrases from the book then reflect personally on that section. I want to do it this way because you might find the excerpts valuable but my reflections distracting or unhelpful. Perhaps you want to read the excerpts. Do some of your own reflecting without my input, then come back and see if we had similar or different reactions. In any case, it will be here for you. Maybe you’ll need to read the book for yourself. If one thing within these pages helps one of you today, then I’ve done something good and that will make me happy. 🙂

For the most part, I’ll progress in a linear fashion, start to finish, but today I wanted to begin with a meditation offered by the Dalia Lama to a large gathering (Chapter 7, page 129). I’m starting here because I often feel that when I’m reading “self-help” books, it takes a while to get to something specific that I can do right now. And this is what happened in this book as well. I had to wait until page 129 for a mind exercise. Tomorrow, I’ll start from the beginning, but for now, give this a try.

“So…let us meditate on compassion today. Begin by visualizing a person who is acutely suffering, someone who is in pain or is in a very unfortunate situation. For the first three minutes of the meditation, reflect on that individual’s suffering in a more analytic way – think about their intense suffering and the unfortunate state of that person’s existence. After thinking about that person’s suffering for a few minutes, next try to relate that to yourself, thinking, ‘that individual has the same capacity for experiencing pain, joy, happiness, and suffering that I do.’ Then, try to allow your natural response to arise – a natural feeling of compassion towards that person. Try to arrive at a conclusion: thinking how strongly you wish for that person to be free from that suffering. And resolve that you will help that person to be relieved from their suffering. Finally, place your mind single-pointedly on that kind of conclusion or resolution, and for the last few minutes of the meditation try to simply generate your mind in a compassionate or loving state.”

~~~~~~~

Reflections

In the beginning of the blog, I said, I don’t meditate, I study. Well, of course I’ve TRIED to meditate. I set my phone timer for some minutes, thinking I’ll do a few more minutes with more practice. I sit on the floor cross legged, hands on knees, sitting tall, eyes closed. Clear my mind. Hmmmmmmmm. Clear my mind. Wait did I eat breakfast yet? Hmmmmmmm. I wonder how long I’ve gone. Hmmmmmmmm. My butt hurts a little in this position, maybe tomorrow I’ll sit on a pillow. You get the picture. I’m not good at meditation. I give up pretty quickly. What I liked about the meditation above was that it was actually something I am SUPPOSED to think about. Very clear direction and something we can all do. Because we all know someone other than ourselves who is suffering right now.

The word suffering might be off-putting to some of you. Perhaps too intense or dramatic. Maybe you want to just think about someone who is having a rough time. Someone who has an illness. Someone who has recently lost a loved one.

More tomorrow.

Love, Trish

Social Distancing and Secret Spaces

I’m happy or should I say proud to report that almost everyone I know is taking the necessary steps to follow the social distancing guidelines currently set forth by – well anyone and everyone with an iota of common sense. It doesn’t take an expert to tell us these things. Does it?

Yesterday, as a part of my mental health routine I drove to what I’d hoped to be a less occupied area of the York County Heritage Rail Trail. (First, I drove past Brillhart Station and found too many cars in the parking lot, so I kept going). I ended up at Seven Valleys and found just a few cars, perfectly spaced. While walking I came upon mile marker 13 which prompted a flashback from last year at almost this same time. I’m posting this silly, blurry video of myself on St. Patty’s Day 2019 which will hopefully bring a smile to some of you. (Mudhook, Fire In the Glen performing)

There I was footloose and fancy free, doing my version of an Irish Jig unaware that just 2 weeks later I’d be at GBMC (a hospital in Towson, MD) emergency room being prepped for emergency surgery. I arrived at about 5:00 a.m. with severe stomach pains, guessing I either had a terrible case of gas (and how embarrassing is that?) or possibly appendicitis. Upon my arrival I noticed the ER was practically empty. I don’t recall seeing any other patients. And I was greeted by several hospital staff members who immediately took action. Although I was heavily medicated quickly thereafter, I was sent for a few scans and within an hour I was visited by a surgeon who informed me he had moved his surgeries, booked an operating room and would be taking me in for surgery within the hour. I was in surgery for a twisted colon by about 7:00 a.m. Following surgery, I was placed in a private room and cared for by a rolling staff of nurses, aides, my doctor, and an amazing physician’s assistant. I stayed for almost a week. I roamed the halls freely for exercise, had daily visitors, and excellent care. Lucky me. The surgery was on April 1, 2019.

So what’s that got to do with mile marker 13? Less than 2 weeks after my surgery I asked my boyfriend to take me for a walk at my favorite location on the rail trail. We parked at the Glatfelter Station parking lot and walked south where we passed marker 13. I took a picture of the marker just as I did yesterday and posted on facebook. I was so grateful, despite my limitations at the time, to be there.

It got me to thinking, what if my colon had held out for another year, and two weeks from now I would be taken to the emergency room for that same surgery? Everyone who’s paying attention knows the answer. Need I say more here? I don’t think so.

So, thank you to all of my people who are doing the right thing – who are doing your part. Thank you to all of the medical professionals who are working round the clock to help everyone with illnesses. Thank you to the grocery employees who are trying to keep smiles on their faces as they struggle to keep the shelves stocked. Thank you to all of the folks who are posting educational suggestions and entertainment options for our children and ourselves.

I was tempted to keep mile marker 13 a secret. After all, if everyone goes there it will be difficult to maintain social distancing. But, remember there are plenty of entry points to nature. And there are plenty of hours in the day. Take turns. Keep going if it looks crowded. Enjoy.

Here are a few pictures from my walk yesterday.

Inevitable
Finding something pretty among the brush
How things grow
Beauty in aging
Stark times
Natural Social Distancing
New perspective

Meet Philippe

Philippe Kane plays Mark Watson, Claire’s practical and skeptical father. Unlike Claire’s mother, Katie, Mark believes there is a rational explanation for Claire’s behavior and is not at all happy about Leigh’s presence in the house. I especially loved reviewing footage of Philippe after long filming days because of the emotion that comes through in his delivery of both concern and skepticism. It was also really fun to watch Philippe and Mary stay in their roles off the camera.

Tell me a little bit about your background.

I have always been drawn in by film as a way to bolster my imagination. I remember being quite young and being transported to new worlds and meeting characters that inspired me to look beyond what was in front of me. This led me to write plays and create new characters on stage while in high school and then I went on to study Drama Studies at SUNY Purchase in New York. That was the beginning of being able to quench my creative side. I eventually went on to get my doctorate in clinical psychology which greatly aided my ability to be engulfed in all types of human behavior. Acting in In Your Afterglow was a great opportunity to revive some of those creative chops and continue studying the human behavior of Trish’s characters that she has developed for the film.

What was your favorite experience working on In Your Afterglow?

Working with Mary, my onscreen “wifey” as I call her, is always uplifting, professional and fun. She takes her craft seriously and is always reliably funny yet professional to run lines with. Her good energy makes it a pleasure to come to set.

How did you prepare for your role in the film?

I really tried to relate to parents who have children with autism. I have had a lot of experience as a psychologist working with individuals with autism and their parents. Typically, parents are over burdened with trying to navigate resources and services for their children, never getting enough respite for themselves. Additionally, there can be shame and stigma attached to having a child with special needs, that requires some self discovery. This helped shape how I viewed my character Mark.

What was your favorite scene in the film?

My favorite scenes were the family scenes. There was some good comic relief in between takes with the younger actors and Rich Henkels, who is a class act.

What was your biggest challenge while filming In Your Afterglow?

Really, just the location. There was a lot of commuting from DC where I live, to York Pa on the weekends. Luckily, we shot in the summer and York has a lot of beautiful trees.

What’s next for you?

I look forward to any future projects that may come way.

Click the following link to see Philippe in the Official Trailer for In Your Afterglow.

Click on the link below to purchase your tickets to see Philippe in the Premiere of In Your Afterglow.

https://appellcenter.org/show/capfilm-in-your-afterglow

Meet Director, Mike Gutridge

Mike introduced me to the world of Independent film when he asked me to join the cast of his Arthouse drama Shadows, scheduled for release mid-2020. His relaxed style on set combined with his passion for the craft inspired all of us to put forth our best. When I decided to write and produce In Your Afterglow, Mike was the first person I called. Could we do it again – 2 summers in a row!?

Tell me a little about yourself

I grew up watching movies and wanting to make them! I graduated from Film School in 1996 and have made a short Loretta, and three features: The Bone Garden, Shadows and In Your Afterglow. I also have a self published book of Halloween short stories and poetry.

What was your favorite experience working on the film?

Working with all the different actors and shooting in several different locations. The historical sites used in the film were particularly interesting.

What is your biggest challenge when directing or directing/producing independent films?

The biggest challenge is trying to “beat the clock” and get a scene finished on time and on schedule. Plus, there are always audio issues to deal with such as cars in the background. Big budget films can shut down the street for a day. I have never had that luxury on any film I’ve done.

What skills improved while directing the film?

You never stop learning on any production; especially a low budget one. Literally with EVERY scene, you grow and get better!

What aspects of In Your Afterglow could you relate to personally?

My daughter Claire has autism and was the inspiration for Trish’s character Claire.

*** Author’s note: Mike’s daughter Claire is the inspiration for the character Claire in the film. Although the real Claire and the character Claire are very different, I had many conversations with Mike and Katie about character development.

What’s next for you?

I have two features in preproduction now, Wood Floors, which will star Bay Watch’s Alexandria Paul and South Pass. I’m waiting to see which one secures funding first. I’m also finishing up the final audio mix on Shadows that will be ready in March.

Click on the link below to view the official trailer for In Your Afterglow:

Click on the link below to purchase your tickets for the premiere of In Your Afterglow: February 23 @ 4pm.

https://appellcenter.org/show/capfilm-in-your-afterglow

Meet Wyatt Gutridge

Wyatt plays Max, son of Katie and Mark Watson and brother of Claire. Max is struggling with Claire’s strange behavior and wants it to stop! I met Wyatt while participating in Director, Mike Gutridge’s arthouse film “Shadows” (release date projected for mid-2020). Unlike his character (Max), Wyatt is very supportive and loving to his sister Claire who has autism. (Claire Gutridge was my inspiration for the character Claire.) Wyatt’s exposure to the industry through father Mike and his natural instincts have prepared him well for his first acting role. I’m confident viewers will find his portrayal of Max very endearing.

Wyatt has Tourette’s Syndrome. After casting him in the role of Max, his parents, Wyatt, and I discussed the possibility of his symptoms manifesting during filming. We decided, should that be the case, I would write it into his character. However, despite the natural pressure involved in filming, Wyatt breezed through the scenes, so there was no need to alter the script.

Tell me a little about yourself

I grew up with the best parents in the world. They are very supportive of everything my siblings and I do. I come from a family of creativity, passion, and non-stopping greatness.

How did you get involved with the film?

My dad directed a movie with Trish called “SHADOWS.” She was inspired to write her own movie. And the first person that came to her mind to play the role of Max was me.

How did you prepare for your role in the film?

I read my lines, practiced how to say them, and followed what the grown-ups said.

What is your favorite scene from the film? Why?

Every scene I’m in because I can see how I did it. It’s great feedback on what I need to work on.

What parts of your character/role could you most relate to personally?

Max has a sister with Autism, and I have a sister with Autism.

What skills improved during your participation in the film?

My personality. How I pursue my character.

Click the following link to purchase your tickets to see Wyatt In Your Afterglow, February 23, 2020.

https://appellcenter.org/show/capfilm-in-your-afterglow

Meet Rich Henkels

Rich plays the role of Alan the gardener. A dedicated and consummate professional, Rich brought more than just his acting skills to the set. I found myself seeking his advice on a number of issues during filming – he was a great sounding board. His portrayal of Alan is spot on and his humor on set kept us all smiling.

Tell me a little about yourself

One of twelve kids, I am the product of two parents whose energy and commitment was/is boundless. As a result, I find myself grounded as an adult, comfortable in my own skin and very aware of what is really important in life. That includes my two sons, my family, my girlfriend and my true passions, acting and performing among them. I spent 15 years as a a TV Sportscaster, winning an Emmy and interviewing some fascinating people in the process, then landed in corporate America where I was successful, but not fulfilled. A fantastic and important realization. My kids provide me with constant inspiration, as do the people I meet through this third career.

How did you get involved in the film?

Constantly submitting to various online casting services, I was lucky to have been “discovered” by Trish McGee who called me about playing the role of Alan. Trish and I met at a coffee shop midway between York and my home in Lansdale, PA and read some scenes together. A “table read for two,” it cemented my instincts that this was a fantastic role for me and a wonderful script. Fortunately, Trish was equally interested in my being in the film, so I booked the part.

What skills improved during your participation in the film?

Memorization and active listening! This film is all about relationships and the script is more than just a series of lines between people in each scene. The thoughts behind each and every line drove the exchanges, thus getting the text down was essential. What was confirmed, however, is what both of my acting coaches preach all the time: focus on the thoughts and the story and the lines will come in time. Credit to Bryan Fox at the Philly Actors Lab and Melonie Mack at MMAS for that.

How did you prepare for this role?

Alan was a very appropriate role for me. Preparing for it got down to fully recognizing what part of me was consistent with the character. In the weeks leading up to filming, I found myriad similarities between who I am and who this character is, thus bringing those similarities out was the key. Alan has been jarred by some elements of his life, and he’s come to terms with them, and decided to be true to himself, which allows him to be available for others. I felt an extremely similar connection with Leigh/Trish and made the most of that to prepare for the film. This role called for me to be thoughtful, caring and present. Practicing THAT was a gift to my real life as well!

What is your favorite scene from the movie and why?

I love the scene(s) walking along the rail trail talking with Leigh and sitting on benches getting to know one another. For me (and my character) that is when clarity was achieved. The threads of this story, the paranormal, the gifts associated with those residing somewhere along the autism spectrum, and the connectedness of people in general become untangled as Alan realizes he and Leigh have a connection he had not expected. Director Mike Gutridge and Trish McGee invited me to play these scenes in a manner honest with my understanding of the role and reflecting the internal search in which he is embroiled.

What was your biggest challenge when working on the film?

My only challenge with this role was allowing myself to plug as much of myself into it as appropriate. While I felt in my soul that Alan and Rich are very similar, as an actor I felt as though I needed to find a reason to “act,” i.e. seek some aspect of the character that was beyond me or outside of me. The truth is, much of what viewers will see is indeed me, which is why I think Trish McGee cast me for this role.

What other projects have you worked on?

I’ve worked on several films having to do with the paranormal and spiritual worlds, namely The Opening and Masters of Ascension, written and produced by Carona Diop-Davis. I’ve also enjoyed work on short films produced by filmmakers in New York and Philly, namely Unemployed by Jordan Sarf, and Concerned Citizens by John DeStefano. This spring, Sno-Babies, a eye-opening depiction of opioid/heroin addiction in the suburbs will be released. I was honored to play the father of one of the lead characters. Other projects included Designated Driver and Maharshi, a film produced in India, with parts shot in a NYC board room, 45 stories above the streets of Manhattan. Much of my experience has been commercial, including currently running national and regional ads for financial services, residential living, apparel, health food, mental health care services and home improvement companies. The beauty of this business is the daily variety!

What’s next for you?

I’ve recently been cast in a feature film called The Mantle, shooting this winter/spring. I play a role very close to my heart and consistent with my brand, a Newscaster. 2020 opens with a commitment to classes and pursuit of more film and TV roles through engagement with Casting Directors up and down the east coast. Commercial work tends to keep the wheels of my career moving. Film and TV ambition drives me forward.

Click the following link to purchase your tickets to see Caroline In Your Afterglow, February 23, 2020.

https://appellcenter.org/show/capfilm-in-your-afterglow

Meet Caroline Kearns

In this article, rather than doing an interview with Caroline, I wanted to share my experience with her.

Caroline is the daughter of my good friend Perri Druen (also in the film). Over the course of the last two years, while hanging out with Perri I came to know Caroline. There was something about her that made me think she would be a great candidate for the role of Claire. Although I’ve read it’s not such a good thing to write a role for a particular person, I found myself seeing her in each scene. I couldn’t help it. When I asked Caroline if she wanted to act in a movie, she shyly said yes. I explained to her it was a big commitment and once she was “in” it would be really important to stick with it. Perri and I had several conversations about it and Caroline was steadfast – she was indeed IN.

Without a doubt Caroline took on the most difficult role in the film in her portrayal of a high functioning autistic adolescent. With coaching from her mom – a York College of PA psychology professor and direction from Mike Gutridge, Director of In Your Afterglow and parent to an autistic daughter Caroline blossomed in her first acting role. She was patient and poised on set, she engaged respectfully with her co-actors and was truly a joy to work with. We had some very difficult scenes with lots of food preparation. This required some improv and several takes to get it right. Caroline quickly caught on.

I have a few favorite scenes from the film and several include Caroline. When I saw the first batch of footage of her “talking with the spirits” I got goosebumps.

What’s next for Caroline? After the dust settled from the long days on set, I asked Caroline if she wanted to do it again. I have another role in mind for my next screenplay called “The Feeding Hand.” Again she shyly responded, yes. In the meantime she will finish the 8th grade at York Suburban, York, PA and continue to hone her volleyball skills.

Click the following link to purchase your tickets to see Caroline In Your Afterglow, February 23, 2020.

https://appellcenter.org/show/capfilm-in-your-afterglow

Student Paper- All Things Determined

I’ve been too busy to write. Ugh. Now I hope to get back to it.  This entry was written by my student who wishes to be known only as Will.  With his permission, I’m posting the story because I’m most proud of his writing for this assignment.  The specifics of the assignment really don’t matter.  Just read and enjoy.

All Things Determined

In this paper, I will tell a scattered story. It is the story of a boy and a girl, the boy’s heritage, upbringing, trials and tribulations, and ultimately, his redemption. The story will demonstrate the philosophical theory of hard determinism and how it wholly directs every outcome in human life- be it good or bad. The idea of one having free will is entrenched, enticing, but illusory. It is incompatible with what I’ve found to be the true nature of existence- that our actions and inactions are bound by a ceaseless spiral of causes, and that we are hostages to forces that aren’t always evident.

In the beginning, there was a couple. A man and a woman, both plagued and gifted by various effects stemming from innumerable causes stretching back generation to generation into the ether, are compelled to get married. The husband’s genetic baggage was depression and alcoholism, and to an extent, the wife’s was comparable. However, the magnitude of these blights wouldn’t fully be known to either party until further down the road of life. So, with youthful zeal and newlywed gusto, they birth a daughter. Four years pass, and a son is born- the boy of the story. To all, life seemed good until suddenly it wasn’t. Even at a young age, the boy notices that a kind of unease makes itself known- his father and mother tend to talk very loudly to each other. Mom smokes a lot, and dad sleeps a lot. Over time, the unease meanders into tension, then controlled chaos. Time out. A piercing whistle is blown- divorce.

Now there are two houses, two states of mind, and two newly separated parents for the two children to contend with. It was the typical child-of-divorce story from there on out, only with a not-as-typical tragic twist soon to follow- death. It was during a perfectly bizarre occasion, Christmas morning, that the mother chose to break the news to her two young babes. Sitting amongst the shredded mounds of wrapping paper, and now, childhood, the son and daughter learned of their father’s demise. The daughter cried, but the boy was numb- somehow, he had figured this to be an inevitability and only now realized it. The cause? ‘Drinking too much’ was declared by the mother. Many years would pass until the boy would come to learn that this was the highly-abridged, most child-friendly explanation that his mother could honestly confess that day.

Alright, now here’s the problem with compatibility. Compatibility, or soft determinism, is the idea that free will can co-exist with the binding, purely material, strictly causal concept of hard determinism. Individuals are surely predisposed to certain conditions that are out of their control, it is argued, but with that comes the ability to choose- to act or not to act (a person is the sole cause of their own actions, rather than the cause being any forces outside of their control). The only truth I can ascribe to the idea of free will is that it can very truly seem real- it seems that while I have chosen to do one action, I could’ve just as easily done any other. However, in a free will scenario, not all possible actions/choices are made equal. A married couple, when contemplating divorce, don’t ‘choose’ to separate- the ratio of positive to negative aspects of the relationship were always present, and needed only to be brought to the surface upon reflection. Upon weighing the ratio, with all kinds of factors present (compatibility, affection, money, staying together for the kids, the negative perception Catholics hold towards divorce, etc.), the greater of two forces will always prevail. The parents in my story didn’t choose to separate- they succumbed to the power of a greater force. Following the divorce, while continuing down the path of least resistance, the father’s ‘choices’ quickeningly became less equal. It was once believed that he chose to nurture his alcoholism, that he chose to expand his addiction to other, more nefarious substances, that he chose to isolate himself from others around him, and that he chose to not seek help in some way. But the boy knows that his father didn’t choose to lose his job, his house, and to die alone from a heart attack – why would anyone choose that?

Years after his father was compelled to die by a still mysterious whirlwind of over-powering forces, the boy is enrolled in Catholic school. Gradually, as most things are, he begins to exhibit signs of ‘the old family curse’. This was the name given the cocktail of mental maladies, primarily depression, passed down like a kind of morbid heirloom from generation to generation on his mother’s side of the family. It first manifested itself in quietness, then moroseness, then apathy, then despair. It was over the course of four years that the affliction steadily grew like a larva, creeping and festering until the boy was encased in its cocoon. Once one of the brightest pupils in his elementary school, the boy now plummeted to the earth alongside his grades, further and further. A healthy mix of pride and shame prevented him from speaking out, from doing anything a rational person ought to do in times like this. He expertly honed this craft, hiding the disease from all eyes, most precisely his mother. She implored him ceaselessly, week after week, for an answer as to why he was the way he was. Why are your grades suffering, do you need a tutor? Why do you spend so much time alone on the computer, what are you looking at? Why do you always have such a stoic look on your face, are you being bullied? Always, in the back of her mind, must have been the answer- the old family curse. Please, please, don’t let this be the answer. Maybe the real answer is this, or that, or dark phase soon to be phased out. Any other possible explanation was more palatable at the time- she was a stressed, single mother raising two kids on a teacher’s salary. The cessation of her primary vice, smoking, left her with only one other- denial. The boy was more than fine with this, it meant he wouldn’t have to face the truth either. Instead, half-way during his senior of high school, the truth faced him. It was all over- too many second chances, half-promises, and squandered opportunities. The boy was expelled due to insufficient grades. Since around a month prior, he had been prescribed anti-depressants that truly did make a difference on his outlook, but it was too little too late.

Thrown into limbo (a new, different type of limbo than the one he was accustomed to), it was time for the boy to deliberate. In what seemed to be the first time, his two realms of ultimate competing forces, good and bad, were fluctuating around equilibrium. Stuck in the crossroads of this holy suspension, he knew that the morally correct option was to press on. This meant to live, to love, to eke out some then-unknown positive meaning. And yet, the inverse, negative alternative was well-known and tempting. If the competing force of darkness, his old friend, the seductress, the corrupter and destroyer were to prevail, he knew fully that it would consume and end him. All it took was just one moderately powerful force on either side of the spectrum to tip the scale and determine the boys fate. He found the force. By a miracle of a god he didn’t believe in, he was redeemed. His angel came in the form of a girl- a once-classmate. The two happened to share a quiet, private, mutual admiration for each other that only came to surface after the boy took a wild shot at asking her to be his date for the senior prom dance. The soon to be discovered fact that boy was barred from attending due to his expulsion was no more than the mildest of inconveniences- he now had an overwhelming force in his life, a reason for all the madness.

 

Hope

Hope! Hope! Where are you my friend?

Hiding again.

Your nemesis, your archenemy, beckons you.

I beckon you.

 

Hope! Hope! Where are you my friend?

Hiding again.

Come fight your battle. Find your strength.

I beckon you.

 

Can you hear me, through all of this noise?

I know you are there. I’ve seen you before.

 

“Show your face!” Your adversary dares.

“I have defeated you before and I’ll defeat you again.” Fear shouts boldly.

 

Hope! Hope! Where are you my friend?

Stop hiding!

Emerge. Demonstrate your strength.

 

Your enemy, my enemy,

fuels the masses,

emboldens a few,

promotes vulgarity,

fosters discrimination,

advances violence,

paralyzes creativity,

stymies progress,

obliterates reason.

 

Your enemy, my enemy,

is winning merely by your absence, your default.

Emerge. Demonstrate your strength.

 

Hope? Is that you?

I think I hear you.

Are you stirring?

I think I hear you.

 

 

 

 

When Pigs Begin to Fly

This morning was a clicking kind of morning. You know the sort when you start by looking up one thing on Google and it turns into 10 clicks and an hour later. That was me, until I clicked on the lyrics to a song called “When Pigs Begin to Fly” and a myriad of thoughts flooded my noggin. Here’s how it started. I was doing research for my new story (Chapter 1 coming soon. Read it here!) so I began by looking up historical information about a town called Duxbury MA – the fictitious town in my story, Deluxbury, MA, is based on this Boston bedroom, coastal community. I read about the shipbuilding industry that began in the mid 1700’s and progressed to 1840. Part of my story will incorporate 1840 happenings, so next I searched for music from 1840. This is where I came across the song “When Pigs Begin to Fly.” I was particularly drawn to that song title because last summer I attended the wedding of my dear friend Ann Unwin’s daughter Morgan at the Inn at Leola Village. When we arrived to check in, we noticed the guys at the desk were all wearing ties with varying patterns of flying pigs. We asked, “What’s with the ties?” As the story goes, when the new owners took over the inn, they were told they would make a go of it “When Pigs Begin to Fly!” Apparently Pigs are flying somewhere, because the inn is a wonderful place and seems to be thriving.

Although I had previously heard the saying, I really had no idea of its origination. As far as I can tell the original song was written as a joke about women’s rights and the idea of cremation. I don’t know about you, but I don’t associate these two ideas. However, in the mid 1800’s, both concepts were seen by some as absurd – women will have the right to vote and people will opt to burn in this life rather than an afterlife – when pigs begin to fly. Apparently pigs are flying somewhere, because cremation is quite popular and wow, women can vote and wear comfortable clothing. (But, alas, a woman will be president of the U.S. when pigs begin to fly.)

Here are the lyrics

When the Pigs Begin to Fly.

I’ve got the gift of prophecy, As I will quickly show.
The secret of the future Most infallibly I know;

I’ll give you a few straight tips.

And I will prophesy
Of some strange things to happen. When the pigs begin to fly.

Chorus.
When the pigs begin to fly, oh! won’t the pork be high,
Tho’ they are the most unlikely birds that ever flew in the sky;
I see no reason why they never should have a try-
Much queerer things will come to pass when the pigs begin to fly

Some folks they want cremation, And are very much perplexed Because they say they’d rather burn In this world than the next.

They’re bound to make a ‘ash of it. If they cremation try,
They’ll settle this burning question When the pigs begin to fly.

Chorus.
When the pigs begin to fly, oh! won’t the pork be high,
Tho’ they are the most unlikely birds that ever flew in the sky; I see no reason why they never should have a try-
We’ll all adopt cremation when the pigs begin to fly.

We hear a lot of women’s wrongs And also women’s rights,
They want to wear the breeches, Do the old and ugly frights.

The rights they need are marriage rites, For Home Rule they should try;
We’ll send old maids to Parliament When the pigs begin to fly.

Chorus.
When the pigs begin to fly, oh! won’t the pork be high,
Tho’ they are the most unlikely birds that ever flew in the sky; I see no reason why they never should have a try-
Old spinsters will be ministers when the pigs begin to fly.

The force of folly and of fashion Could no further go,
You must confess that ladies’ dress At present is a show.

With ruffs, puffs, cuffs, and muffs, and stuffs, Dame Nature they defy,
I do believe they’ll dress like Eve
When the pigs begin to fly.

Chorus.
When the pigs begin to fly, oh! won’t the pork be high,

Tho’ they are the most unlikely birds that ever flew in the sky; I see no reason why they should never have a try-
They’ll only wear their natural hair when the pigs begin to fly.

A day will come when ev’ry belle
Will dress with simple taste;
She won’t puff out her figure
And screw in her dainty waist.
High heels, low bodies, dress improvers. Chignons she’ll decry,

Drop powder puff, and all such stuff, When the pigs begin to fly.

Chorus.
When the pigs begin to fly, oh! won’t the pork be high,
Tho’ they are the most unlikely birds that ever flew in the sky; I see no reason why they never should have a try-
Each female saint will never paint when the pigs begin to fly.

Upon further clicking I came across a Broadway musical and this sweet song/animation by Sandra Boynton. Her version, about the love and encouragement a parent can give to a child, is one of hope and achieving dreams.

Take a listen.

https://youtu.be/ffhSkKviw1I

For myself, I find I’m in constant flux. Sometimes I feel like the sarcastic pessimist from the 1840’s song. “Yeah, the world will get better, people will stop judging, stop killing, when pigs begin to fly.”

But some days, I’m a dreamer, I look into the sky and am certain I can see pigs fly…

How about you?

Acknowledgements:  Thanks Sarah Satrun for allowing me to use your flying pig illustration. I love it!